Pierre Auguste Renoir
Pierre Auguste Renoir's Oil Paintings
Pierre Auguste Renoir Museum
February 25, 1841 – December 3, 1919. French painter.

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Here are all the paintings of Jean Hey 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
2169 Anne of France Jean Hey Anne of France 1492-93 Musee du Louvre, Paris
2172 Madeline of Burgundy Jean Hey Madeline of Burgundy 1490 Musee du Louvre, Paris
2170 Pierre II Jean Hey Pierre II Musee du Louvre, Paris
20016 Pierre II Duke of Bourbon Presented by St Peter (mk05) Jean Hey Pierre II Duke of Bourbon Presented by St Peter (mk05) ca 1492-1493 Wood 28 1/2 x 25 1/2\'\'(73 x 65 cm)Entered the Louvre in 1842
2174 Portrait of Charles II of Bourbon Jean Hey Portrait of Charles II of Bourbon 1488 Pinakothek, Munich
2171 Portrait of Margaret of Austria Jean Hey Portrait of Margaret of Austria 1490-91 Metropolitan Museum of Art, New York
20014 Portrait Presumed to be of Madeleine of Burgundy (mk05) Jean Hey Portrait Presumed to be of Madeleine of Burgundy (mk05) Presented by st Madeleine Wood 22 x 15 1/2''(56 x 40 cm)Entered the Louvre in 1904
2176 Suzanne of Bourbon Jean Hey Suzanne of Bourbon Musee du Louvre, Paris
20015 Suzanne of Bourbon Called Child at Prayer (mk05) Jean Hey Suzanne of Bourbon Called Child at Prayer (mk05) Wood 10 1/2 x 6 1/4''(27 x 16 cm)Entered the Louvre in 1908
2168 The Dauphin Charles Orlant Jean Hey The Dauphin Charles Orlant Musee du Louvre, Paris
42002 The Madonna of the Apocalypse Jean Hey The Madonna of the Apocalypse mk166 1480-1500 Painting Cathedral of Moulins France
2175 The Nativity of Cardinal Jean Rolin Jean Hey The Nativity of Cardinal Jean Rolin 1480 Musee Rolin, Autun
2173 The Virgin in Glory Surrounded by Angels Jean Hey The Virgin in Glory Surrounded by Angels 1489-99 Notre Dame, Moulins

Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500 Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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