Pierre Auguste Renoir
Pierre Auguste Renoir's Oil Paintings
Pierre Auguste Renoir Museum
February 25, 1841 – December 3, 1919. French painter.

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Here are all the paintings of ALBERTINELLI Mariotto 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4683 Annunciation_00 ALBERTINELLI  Mariotto Annunciation_00 1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
4684 Birth of Christ jj ALBERTINELLI  Mariotto Birth of Christ jj 1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
4685 Circumcision kin ALBERTINELLI  Mariotto Circumcision kin 1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
96868 Seascape ALBERTINELLI  Mariotto Seascape 1912(1912) Medium oil on canvas Dimensions 48 X 69 cm cyf
4782 The Church Militant and Triumphant ALBERTINELLI  Mariotto The Church Militant and Triumphant 1365-68 Fresco Cappella Spagnuolo, Santa Maria Novella, Florence
4781 The Church Militant and Triumphant  gg ALBERTINELLI  Mariotto The Church Militant and Triumphant gg 1365-68 Fresco Cappella Spagnuolo, Santa Maria Novella, Florence
20149 The Virgin and Child Adored by Saints Jerome and Zenobius (mk05) ALBERTINELLI  Mariotto The Virgin and Child Adored by Saints Jerome and Zenobius (mk05) 1506(with Francesco Franciabigio). Canvas,731/4 x 691/4''(186 x 176 cm).From Santa Trinita in Florence 1813;acquired for the Louvre in 1814
77946 Virgin and Child ALBERTINELLI  Mariotto Virgin and Child ca. 1512(1512) Medium panel cyf
4682 Visitation jj ALBERTINELLI  Mariotto Visitation jj 1503 Oil on wood, 232 x 146 cm Galleria degli Uffizi, Florence

ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo's, he resolved to carry on alone. Among his many students were Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola and Giuliano Bugiardini. Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi.
Pierre Auguste Renoir
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